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Beyerdynamic M 201 by Andrew Thompson The Beyerdynamic M 201 is an end-addressed, “pencil”-style dynamic microphone with a relatively unusual (for its type) hypercardioid pattern and a broad published frequency […]
Electro-Voice RE20 By Andrew Thompson History An industry standard and a visually distinctive fixture of the broadcast studio, the Electro-Voice RE20 is a large-diaphragm dynamic microphone introduced in 1968. It […]
RØDE NTK By Andrew Thompson History Now known perhaps as much for products targeted at broadcast applications as they are for studio microphones, in the early 2000s the Australian company […]
Shure SM57 and SM58 by Andrew Thompson History The Shure SM57 and SM58 are by some distance the best-selling and most used microphones in the world. There might be microphones […]
CADM179 by Andrew Thompson History One of the most significant indicators in the professional audio market of the early-to-mid 2000s was the rapid and dramatic fruition of what came to […]
